Ernie Ball Music Man Caprice

With one passive model already released, hot on its heels comes a two-pickup instrument from Ernie Ball. Is it really twice as much fun? Mike Brooks investigates

We looked at Ernie Ball’s passive Cutlass bass several issues back and were suitably impressed, so here for your delectation is the twin pickup-equipped Caprice. Being passive, naturally the tones on offer are quite different from the perennial active favourites from the Music Man stable; but, if the general level of quality exhibited by the Cutlass model was anything to go by, the Caprice should prove to be equally enticing.

Build Quality

The offset body shape is curvaceous, with plenty of contouring at front and back, and is particularly comfortable to wear. Both cutaways offer excellent access to the upper frets of the 21-fret neck, while the Tobacco Burst finish stands out underneath the thick polyester gloss finish – although being alder, there is limited grain visibility. The three-ply tortoiseshell scratchplate finishes off the perfect visual combination. The whole instrument looks sleek, with clean lines, a simple design and enough familiar touches to mark it as a Music Man, but with notable differences from the existing models that we know and love.

The maple neck has a satin polyurethane finish, which gives it a nicely slippery feel. It’s very comfortable in terms of profile, nut width, string spacing and ease of navigation. The nut width is slightly less than that of the Cutlass, and the rounded profile harks back to the dimensions of the Sterling neck, which is no bad thing. The bass is also slightly lighter than the Cutlass, so if you’re looking for an instrument that won’t take its toll on your back, this model will be worth investigating. It also balances well, even with its oversized headstock. All said, the finishing is of the high level we have come to expect of an Ernie Ball instrument, with no sharp fret ends and a comfortable action. White position markers have been used on the front and side of the neck, while the truss rod is adjusted via the now obligatory adjustment wheel at the base of the neck.

The hardware is also of the quality we have come to expect: the machine heads feel solid and turn smoothly, while the passive volume/volume/tone controls operate comfortably. The top-loading bridge is the usual simple affair from Ernie Ball. The pickups are both humbuckers, despite their split and single-coil appearance. We should expect to hear some differences in their respective tones, so let’s plug it in…

Sounds And Playability

Although the Caprice doesn’t have the sonic sledgehammer of, say, the Stingray or Sterling, what it does have is a vibrant passive tone that bubbles along very nicely. Don’t be fooled into thinking the pickups won’t be up to much due to the lack of an active circuit: these units cover all the necessary ground. I was highly impressed with the tones delivered with both pickups on full. If you want warmth with passive clarity, strength and depth of tone, and an even note volume across all four strings, you may be looking at your next bass.

Soloing each pickup, the neck unit instantly delivers the expected single split-coil sound. As a humbucking unit, electrical buzzing is limited, and the pickup puts on a strong tonal display. Turning the control fully counter-clockwise produces a hefty thump, particularly good for Motown-style muted playing: opening up the tone control is ideal for pick players requiring definition and attack, or fingerstyle players who require some rasp and clarity to their tone.

The bridge unit is similarly flexible, and although it can’t sound like a regular EB humbucking pickup, it provides the necessary twang and a brighter delivery that complements the neck pickup very well. Used on its own, it sounds a little thin: winding in the tone control a little improves matters. Where it really shines is in conjunction with the neck pickup. This achieves the full spread of tonal capabilities on offer, although how you set the volume level for each pickup is entirely down to your personal preference.


There is a lot to like about this bass. Ernie Ball should be commended for delivering a passive instrument that ticks so many boxes. My only concern is the price tag, which seems high despite the brand’s pedigree. Brexit has had a noticeable effect on the pricing of instruments from the US, and as a result, the Caprice could find itself edged off many players’ shopping lists. That aside, in terms of looks, playability, sounds and comfort, the Caprice is certainly worth some further investigation.

Price | £1,999

Made In | USA

Colour | Heritage Tobacco Burst

Body | Alder

Neck | Maple, 34” scale

Neck Joint | Bolt-on, five bolt attachment

Nut Width | 40mm

Fingerboard | Rosewood, 21 frets

Pickups | 1 x Music Man offset humbucking pickup, 1 x Music Man inline humbucking pickup

Electronics | Passive

Controls | Volume, volume, tone

Hardware | Chrome, Schaller BM machine heads, vintage Music Man bridge

Weight | 3.86 kg

Case/gig bag included | Hardcase

Left-hand option available | No

What We Think

Plus | A pedigree bass that delivers on all fronts: a classy looking instrument with a strong passive sound

Minus | The price tag

Overall | A sound addition to the Ernie Ball catalogue. Check it out!

Look out for the upcoming issue of Bass for a full selection of interviews, reviews, news and more in shops or online at

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