Gear

TC Electronic BH800

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Ian Glasper goes toe-to-toe with TC’s feisty new amp. Who wins?

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Barefaced Super Compact 12 Cabinet

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Kev Sanders tackles the latest cab from the Barefaced stable. Will it cut the mustard?

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Ritter Cora Late Lounge 4

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Christmas is coming. Ask Santa nicely and perhaps he might bring you one of these, says Mike Brooks.

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Bill Nash PB-57

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Dave Thorpe tackles Bill Nash’s latest aged P-Bass.

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Gear review: Howling Wolf Slapkat 600

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David Etheridge discovers a hand-built amp and cab from Slapkat which take a drastically new approach to bass sound

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Gear: Fusion Urban gig bag

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Fusion’s Urban bass gig bag hits the test bench

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Sunn Coliseum

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Chris Hanby recalls the dawn of the Sunn Coliseum in 1970.

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Gear review: DB Bass Embee and Elbee Cabinets range

Stuart Clayton road-tests DB’s new cabs. Turn it up, that man!

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Hartke HD25 And HD50 Combos

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Dave Clarke has a heart to Hartke with a new range of highly portable combos. Rightly or wrongly, combos falling into the category of ‘practice amps’ tend to be used in small rehearsal spaces, intimate live settings for acoustic gigs

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Fender Jazz Custom Shop 1964 ‘New Old Stock’

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The most popular, most copied bass in the world: why change a winning formula, says Mike Brooks. What is there to say about the Fender Jazz that hasn’t been uttered thousands of times before? It’s one of the most successful

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Posted in Gear, Reviews

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